"தஸ்மை ராமானுஜார்யாய நம: பரமயோகினே" ~ we fall at the feet of the Greatest of Acharyas who is hailed as the
King of all Sages. On day 6 of the Thiruvavathara Uthsavam of Emperumanar (Udayavar / Ramanujar]
– it is kuthirai vahanam. On this
uthsavam, every year I have been posting photos of Swami Ramanujar
astride a horse wearing ‘white silken robes’ with melancholy – for it was an
event in the life of Emperumanar which made us sad. This year
the post is slightly different !!
Can you identify or make out what this picture is about ? Horses have a great role ! Kallazhagar entering Vaigai on horse is
famous, Arangan kuthirai vahana kona oyyali is adorable, Kaliyan adalma
entering Thirumanankollai is a great sight but not Swami Emperumanar on a horse
– that is more of a melancholic story !!
Horses have a preeminent placein mythology, movies and .. .. In Greek mythology, several heroes are closely associated with horses, often depicted as skilled riders and horse-tamers. Achilles, the hero of the Trojan War, is known as the "tamer of horses" and was gifted immortal horses by the Gods; Bellerophon tamed the winged horse Pegasus and used it to defeat the Chimera. Other notable examples include Heracles and his immortal horse Arion, and Poseidon, the god of the sea, horses, and earthquakes.
Bellerophon ["slayer of Belleros") or Hipponous was a
divine Corinthian hero of Greek mythology, the son of Poseidon and Eurynome,
and the foster son of Glaukos. He was "the greatest hero and slayer of
monsters, alongside Cadmus and Perseus, before the days of Heracles".
Among his greatest feats was killing the Chimera of the Iliad, a monster that
Homer depicted with a lion's head, a goat's body, and a serpent's tail:
"her breath came out in terrible blasts of burning flame." Bellerophon
was also known for capturing and taming the winged horse Pegasus with the help
of Athena's charmed bridle, and earning the disfavour of the gods after
attempting to ride Pegasus to Mount Olympus.
War Horse is a famous war drama film directed and produced by Steven
Spielberg, from a screenplay written by Lee Hall and Richard Curtis that hit
the screens in 2011. It is based on Michael Morpurgo's 1982 novel of the same
name and its 2007 stage adaptation. Set before and during World War I, its plot
follows Joey, a bay Irish Hunter horse raised by English teenager Albert as he
is bought by the British Army, leading him to encounter various people
throughout Europe, in the midst of the war and its tragedies.
Most likely that you have visited
our Rajdhani, the National Capital, New Delhi. You may be surprised to read that for the better part of the
19th century, the main railway route from Madras to Calcutta and Delhi was
through Bombay! The Madras-Bombay mail train carried through carriages
between Madras and Manmad which were detached at Daund. Passengers would then
be transferred to the Great Indian Peninsular Railway's Calcutta mail at
Manmad to proceed to the northern and the eastern parts of the country. Then came the Grand Trunk
Express .. .. GT Express
ran from 1st Apr 1929 after the construction of the
Kazipet-Balharshah section. As a prestigious train, it was one of the few
to have the early methods of air cooling by ice blocks. It also carried a
parcel van for urgent consignments. 'Grand Trunk' express commenced
operating as two through carriages running between Peshawar in the North
Western Railway (British India) and Mangalore in the South Indian
Railway.
Indraprastha ("Plain of
Indra" or "City of Indra") was
a flourishing city of the Kuru Kingdom. It was the capital of the kingdom
led by the Pandavas ~ compares to the present day New Delhi, particularly
the Old Fort (Purana Qila) Unlike the Southern parts of India, Delhi has seen
much of occupation and wars. By some accounts Delhi is known to
have been continuously inhabited since 6th century BC ~ and in most of
its history, it has been the capital of many kingdoms, starting from the days
of Pandavas when it was Indraprastha.
Chakrāvarti Yashwant Rao
Holkar (1776–1811) also known as Jaswantrao Holkar belonged to the
Holkar dynasty of the Maratha Confederacy was the Maharaja of the Indore. He
was a gifted military leader and educated in accountancy as well as literate in
Persian and Marathi and Urdu. In January 1799, Yashwant Rao Holkar ascended the
Holkar throne. At that time, in Delhi, the Mughal Emperor Shah Alam
II had become puppet monarch of his new masters, the British who successfully
replaced Marathas after defeating Sindhia. On 8 October 1804, to gain control
over the emperor, Holkar marched towards Delhi and attacked the army of Colonel
Ochterlony and Berne. The Siege of Delhi
(1804) lasted for more than a
week. In that siege, the important gates - Ajmeri Gate, Kashmiri Gate,
and Lahori Gate - saw stiff fighting."
Indian First war of
Independence too centered around Delhi. The siege of Delhi in 1857 was
from 8th June till 21st Sept. The
hard-fought recapture of Delhi by the British army was a decisive moment in the
suppression of the 1857–58 Indian Mutiny against British rule. It extinguished
Indian dreams of recreating the rule of the Mughal Empire. The rebellion lost
its cohesion, allowing the British to defeat any remaining isolated pockets of
resistance.
Because of that uprising,
the city once known for its resplendent culture of mushairas and poets
was to be reduced to one strewn with bodies of the dead. From a royal capital,
its status was relegated to that of a provincial town. The city recovered
itself only after 1911 and more so after Independence.
Had
posted many times earlier at length on the significance of day 6 –
Kuthirai vahanam – vellai sarruppadi vaibhavam – of Swami Ramanujar astride a
horse wearing white robes - a
symbolic tradition when our Great Acharyar dons white garment and is seen
without trithandam. Symbolic of the travail and travel that Ramanujar had to
undertake donning the dress of a ‘grahastha’ instead of his reverred
kashaya. For a detailed post on ‘vellai sarruppadi’ – do read this :Udayavar Vellai Sarruppadi
Swami Emperumanar
travelled along the course of river Kaveri, went out of Cholanadu adorning
white dress and went places traversing Kongu nadu, reached
Thondanur, where he constructed a huge lake; thence reached Melukote
(Thirunarayanapuram) in Mandya district, where he performed many religious
discourses and brought in disciplined ways of temple management. More was to happen as Udayavar travelled
to Delhi to the Court of Delhi sultan where the uthsava vigraham of
"Ramapriyan" had been taken by the invading muslim ruler. The
vigraham (Chelva Pillai) when invited by Udayavar walked on its own and
sat on the lap of Udayavar.
It is our fortune that we
are in the lineage of such great Acaryas and have the fortune of worshipping
them and reciting the holy works of Azhwar, Acharyas. At Thiruvallikkeni on day
6 – Sri Udayavar on kuthirai vahanam wearing white silken robes halts
(mandagappadi) at Sri Yadugiri Yathiraja Mutt that is connected to Melukote
Thirunarayanapuram. Here – saffron robes (kashaya Uthareevam) and
garlands are offered to Swami Ramanuja. As Melukote is known for the thiruman
& sirchurnam that we adorn (Swami Ramanujar found them in abundance
in the hills of Thirunarayanapuram), they are distributed to Srivaishnavas.
Swami Emperumanar lived
for 12 years at Melukote, administered the temple and did many kainkaryam
changing the fortunes of people living in that area. Let us fall at the feet of
our Acaryarn. Here are some photos of
Udayavar uthsavam day 6 of date.
ஸ்ரீமந் யதீந்த்ர!
தவ திவ்யபதாப்ஜஸேவாம் : என்றுமழியாத செல்வமுடைய யதிராஜரே அடியேனுக்கு
தேவரீருடைய திருவடித்தாமரைகளில் பண்ணும் கைங்கர்யத்தை, அருளவேணும் !!
ஆழ்வார் எம்பெருமானார் திருவடிகளே சரணம் -
நம் இராமானுஜன் திருவடிகளே சரணம்.
PS : if you still
remember that pic at the start and could not decipher what it is ? - it
is Bellerophon Taming Pegasus, an outdoor sculpture by Jacques Lipchitz,
depicting Bellerophon and Pegasus. It was the final sculpture worked on by
Lipchitz, and was completed after his death in 1973. The work depicts the human figure of
Bellerophon, standing on a high plinth, tying a rope around the neck of the
thrashing Pegasus, whose tail, legs and wings splay dramatically around the
central figures. It has been interpreted as a representing man taming nature.
In the words of the artist, "You observe nature, make conclusions, and from
these you make rules… and law is born from that". It takes inspiration from Lipchitz's earlier
work, Birth of the Muses, which depicts Pegasus landing on Mount Olympus. The sculpture was commissioned by architect
Max Abramovitz for Columbia Law School in 1964.
It was cast in bronze at Pietrasanta in Italy, shipped in pieces to be
constructed in New York City, and dedicated on November 28, 1977. It is installed above the west entrance of
Jerome Greene Hall on Revson Plaza, on the Columbia University campus in
Manhattan. The 23 ton sculpture measures
approximately 30 feet (9.1 m) by 28 feet (8.5 m), and stands on a 27-foot (8.2
m) high pedestal, making it, after the Statue of Liberty, the second-largest
metal statue in New York City, as of 2022
Wow !! what a compliation of inform ation both Samprathayic and Historical. Appreciate - thilaga
ReplyDeletevery interesting Sampath ji - Madhavi
ReplyDeletewhat a connection of a horse statue somewhere to Udayar kuthirai vahanam !! - Ranganayaki
ReplyDeleteMadam, not sure I got the link well established. Horses are attractive and horse riding has been a valour. We relish Kuthirai sevai vaibhavam of Arangan, Kallazhagar, Sri Parthasarathi, Kaliyan and more - today's vellai sarruppadi cannot be likened to such is the underlying in my post. adiyen dhasan. - S Sampathkumar
ReplyDelete