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Wednesday, July 8, 2026

மறைத்த மாமத யானை !! ~ Elephant and Ekambareswarar Raja gopuram

 

Elephants are big, mammoth and attractive …. .. a decade or so ago ! in one of my sojourns to my native Dusi Mamandur – stopped mid-afternoon at Sri Ekambareswarar temple. 

People know for sure, the towering Rajagopuram – yet in the particular angle it was photographed, the Temple While elephant vahanam seemingly dwarfed the massive gopuram !! (some vehicles and unwanted objects removed with AI help – otherwise the picture is original !) – remember Thirumoolar paadal !!

 


 

"மரத்தை மறைத்தது மாமத யானை" என்பது திருமூலர் அருளிய திருமந்திரப் பாடலின் தொடக்கமாகும். 

மரத்தை மறைத்தது மாமத யானை

மரத்தில் மறைந்தது மாமத யானை..  ..   

 

The Ekambareswarar Thirukkovil is a very famous landmark of  Kanchipuram,  a massive 25-acre Hindu temple dedicated to Lord Shiva. As one of the five sacred Pancha Bhoota Stalas, it represents the element of Earth.  The  iconic 57-meter Raja Gopuram (entrance tower) built by Krishnadevaraya would be visible right from the moment you cross Kanchi Railway station and from many other parts of Kachi.  The Temple is quoted in the verses of Thirunavukkarasar. 

 

ஆகம்பத் தரவணையான் அயன் அறிதற் கரியானைப்

பாகம் பெண்ணாண் பாகமாய்நின்ற பசுபதியை

மாகம்ப மறையோதும் இறையானை மதிற்கச்சி

ஏகம்ப மேயானை என்மனத்தே வைத்தேனே !! 

 

பாம்பை அணிகலனாகக் கொண்டவரும் (அரவணையான்), பிரம்மனால் (அயன்) காண முடியாத அரிய பெருமானும், உமாதேவியை ஒரு பாகமாகக் கொண்டு (பாகம் பெண் ஆண் பாகமாய்) நின்றவரும், பசுக்களின் தலைவருமான (பசுபதி) சிவபெருமான், பெரிய ஆகமங்களை மறையோர் ஓதி வழிபடும் இறைவனாவார். மதில் சூழ்ந்த காஞ்சிபுரத்தில் (கச்சி) எழுந்தருளியிருக்கும் அந்த ஏகம்பனை (ஏகம்ப மேயானை) என் மனத்தில் வைத்துள்ளேன் என்பது இதன் பொருள் 

இது திருநாவுக்கரசர் (அப்பர்) அருளிய நான்காம் திருமுறையில் இடம்பெற்றுள்ள புகழ்பெற்ற திருஏகம்பப் (காஞ்சிபுரம்) பதிகத்தின் ஒன்பதாம் பாடல். இப்பாடல் காஞ்சிபுரம் அருள்மிகு ஏகாம்பரேஸ்வரரை போற்றிப் பாடுகிறது.  சுவாமி : ஏகாம்பரநாதர். அம்பாள் : காமாட்சியம்மை 

Well, the elephant need not be big to be attractive or capturing attention.  The Borneo Pygmy elephant (Elephas maximus borneensis) is the smallest subspecies of Asian elephant on Earth and is endemic to the island of Borneo. Known for their gentle temperament and unique, compact appearance, these elephants are heavily concentrated in the Malaysian state of Sabah. Recently, they have gained widespread attention online after a highly circulated baby elephant image sparked viral trends. However, many viral images are actually AI-generated.  

 


Couple of months ago, the internet's latest obsession, the viral 'Borneo Pygmy elephant' meme, found an unexpected role in a public awareness campaign, with Delhi Police using the trend to remind citizens about the importance of following traffic rules. In a  post shared on its official Instagram account, the Delhi Police featured an image of a Borneo Pygmy elephant, the adorable "chubby baby elephant" at the centre of a global social media craze. The eye-catching visual was paired with a direct road safety message aimed at capturing the attention of users scrolling through their feeds.The text on the image read, "Aap mujhe itna attention de hi rhe ho toh aap ye message bhi sun lo ki traffic signal follow karna aur helmet & seatbelt lagana zaruri h. Bye bye.""Meme skip ho jayega toh kuch nahi hoga. Safety skip hui toh problem ho sakti hai," the caption reads. 

It highlights Safety -   that temporary entertainment is trivial compared to personal safety, which can have life-altering consequences.

 
Interesting !
 
Regards – S Sampathkumar
8.7.2o26

Monday, July 6, 2026

WW II ~ ARP - Sri Parthasarathi Perumal Garuda Sevai purappadu

 

Brahmothsavam  is a grand festivity – each day it is different Vahanam, and Perumal has classy alankarams … on Garuda vahanam day, thousands gather early in the morning to catch glimpse of the Lord as he comes out of the gate (Gopura vasal darsanam). 



In the grand Brahmothsavam, each Vahanam, every purappadu has its  own charm, yet, if one were to ask the most majestic and most crowd-pulling ones,  it would be Thiruther and Garuda vahanam. !!  .. .. ..    On Garuda Sevai day, people from far and away come to the temple, offer vasthram (new clothes), place before Lord coconut, fruits & other offerings and have darshan of Lord in Garuda vahanam. 




Reading the annals of History, - year 1943 marked a decisive turning point in the Second World War. Allied victories in North Africa, the Soviet triumph at Stalingrad, and the invasion of mainland Italy shifted the balance of power dramatically. Italy surrendered to the Allies, Mussolini was overthrown, and the momentum of the war began favouring the Allied forces both in Europe and the Pacific. On the Eastern Front, the Battle of Kursk delivered a catastrophic blow to German hopes of regaining the initiative. 

Beyond the battlefield, 1943 was a year of intense civilian mobilisation, scientific advancement, and cultural resilience. The Holocaust reached new depths of horror, but was met with courageous resistance in the Warsaw Ghetto. Allied conferences shaped the future world order, while home fronts across Britain, the United States, and the Commonwealth continued to adapt to rationing, bombing, and social change. In Britain, women took on a growing range of industrial roles, while music, cinema, and broadcasting sustained public morale. 

On April 21, 1943, the Jewish resistance in the Warsaw Ghetto was actively fighting back against Nazi troops. The Warsaw Ghetto Uprising, which began on April 19, marked the first major urban rebellion against Nazi Germany.  On this day, the  bombing of Aberdeen killed 98 civilians and 27 servicemen. The attack was the worst of 34 separate German air raids on the Scottish city. The British submarine Splendid was shelled and damaged off Corsica, with the loss of 18 of her 48 crew, by the German destroyer Hermes.  Captain Frederick M. Trapnell became the first U.S. Navy aviator to fly a jet airplane, when he took up the Bell P-59 from the Muroc Army Air Field (now Edwards Air Force Base) in California. 

 


Chennapatnam, aka namma Madras is now 387 years old … The city has witnessed everything from invasions, bombings, food scarcity, blackouts to evacuations but, time and again, but not much of War and World War.  In 1914, there was the infamous SMS Emden bombing and in 1943 a Japanese Bombing. Before that there were a few invasions that took place. So, people were not really prepared for a full fledged war.   When the World War II  began in 1939, it didn’t affect the city until the Japanese entered. “When the war began there was scarcity and everything was rationed!”   

In 1943 there was a cyclone and the city was flooding. The Japanese dropped the bomb and no one knew that the city was bombed for about a week! Newspapers couldn’t report it because of the inflicted power cut.”  Two-thirds of the city was empty as people fled. “The real estate prices crashed and a lot of people were making money by buying these houses.,” While humans fled, sadly animals in the Madras zoo were shot dead, fearing bombings and what would happen with wild animals on the run. Buildings were to be painted grey and newspapers were pasted on glass windows.  The collector and the Thasildar moved from the beach, in the pretext of other places being ‘safe’. “Technically no place was safe.   

Though the war happened miles away, it touched several lives. “The awareness about Madras’ participation in the war is zero. People only remember the evacuation.  Here is an interesting clipping linking Second WW to Madras particularly Triplicane and more specifically our Temple.  This is about Air Raid Precaution [ARP] reported in Indian Express dated 22.4.1943.   

During the Second World War (1939–1945), the British Government introduced an extensive civil defence system throughout India, particularly in important port cities such as: Madras, Bombay,  Calcutta, Vizag, Cochin, Kakinada and more !!  Madras was considered vulnerable because it was an important harbour, railway junction and military supply centre. After the Japanese entered the war in December 1941 and especially following the bombing of Pearl Harbor, fears of Japanese attacks on India's east coast became very real. People in Madras genuinely feared that the city would be next.  Many wealthy families temporarily left Madras for interior towns.  

The government regularly organised city-wide mock exercises – ARPs - When the siren sounded:

         everyone had to stop what they were doing;

         lights had to be switched off;

         people took shelter;

         traffic halted;

         emergency medical teams assembled;

         fire-fighting units stood ready;

         police controlled movement.

Volunteers known as ARP Wardens ensured everyone obeyed the regulations. They wore steel helmets bearing the letters ARP.

 


This clipping says :  "...the Vigraha with its accompanying paraphernalia made straight for 'cover' by going into the Gangaikondan Mandapam..." On that day, the Garuda Sevai procession of Sri Parthasarathy Perumal was moving through Tholasinga Perumal Koil Street.  Exactly then, the air-raid warning siren was sounded. The  temple authorities immediately followed the ARP instructions. The Utsava Murti was taken into the nearby Gangaikondan Mandapam, which served as a place of safety. Only after the "All Clear" aesal took place and Sri Parthasarathi Emperuman completed the rest of the procession. 

Those days the Air raid warning siren would be a rising and falling wailing sound, instructing people to take cover immediately and people took shelter.  The All Clear siren would be on a continuous steady note, meaning the danger had passed and normal activities could resume !! 

One needs to have in mind that by that time - Japan had already captured: Singapore, Burma and  the Bay of Bengal was an active theatre of war. Madras remained under constant preparedness although it was never subjected to a major aerial bombardment.

 

This   newspaper report is valuable because it records three aspects simultaneously:

         wartime civil defence,

         the continued conduct of temple festivals,

         cooperation between religious institutions and the civil administration.

 

For those of us connected to Thiruvallikkeni, this is evocative clipping.  It shows that even during one of the most uncertain periods of the 20th century, the Garuda Sevai and other festivities  continued. The devotees paused only long enough to obey the air-raid warning, sheltered both the deity and the assembled devotees in Gangaikondan Mandapam, and then, after the "All Clear", resumed the procession as though affirming that tradition would endure despite the anxieties of war.

 


The famous  Gangaikondan Mandapam   where Emperuman takes rest   once served not only as a sacred resting place during processions but also as an improvised wartime shelter during World War II.  Here is a recent picture of Gangaikondan mandapam and a  video of Garuda vahana aesal this year on 3.5.2026  :  https://youtu.be/POppOu_Sqio



This year Chithirai  Brahmothsavam of Sri Parthasarathi Emperuman  at Thiruvallikkeni divyadesam    3.5.2026  was  the third day –  Garuda Vahanam for Perumal. 

adiyen Srinivasa dhasan
Mamandur Veeravalli Srinivasan Sampathkumar
6.7.2026
 
PS:  Special thanks to my friend Mr Karthik Bhatt for providing this clip of newspaper.



Sri Azhagiya Singar purappadu thoranam

 


வாராரு வாராரு அழகர் வாராரு

அல்லிக்கேணி வீதியிலே அழகியசிங்கர் வாராரு

 


சப்பரம் ஏறி வாராரு, பல வாகனங்கள் ஏறி வாராரு

நம்ம சங்கடம் தீர்க்க போராரு, சந்தோசம் தர வாராரு


Sri Azhagiya Singar Chandra Prabhai 2017

 

Thiruvallikkeni Sri Thelliya Singar chandra prabhai 2017

Chandra Prabhai, Thiruther, Rajagopuram, devotees, light and more !!

Kairavini neerazhi mandapam hidden by that water tank !!

 

 


Saturday, July 4, 2026

Sri Azghagiya Singar porvai kalaithal 2026

 



Thiruvallikkeni Thelliya Singan draped in mantles

Porvai kalaithal vaibhavam 2026


Thiruvallikkeni Thelliya Singar 2026

 

சிங்கமதாய் அவுணன் திறலாகமுன் கீண்டுகந்த சங்கமிடத்தான்..

திருவல்லிக்கேணி ஸ்ரீ தெள்ளிய சிங்கன் –  போர்வை களைதல் வைபவம் முடிந்து ஏகாந்தமாக சேவை சாதிக்கும் அவசரம்.

 


Thiruvallikkeni Thelliya Singar 2026 (background edited with AI)

Friday, July 3, 2026

Nadaswaram enthralling performance - can you identify the Raga / Keerthana ????

 

The annual Aani Brahmothsavsam of Sri Azhagiya Singar is drawing to a close and today is day 9 – theerthavari and dwaja-avarohanam. 

In the evening there was grand purappadu of Sri Thelliya Singar in Sadadarsha vimanam .. .. and today it was mellifluous Nadaswaram music played by MKSN Manikandan and Chittoor Devarajulu and party.  

 


In the initial Peyalwar Kovil stretch they played :  https://www.youtube.com/watch?v=q__INZktf-g

 


nārāyaāya namō mādhavāya

A simple meaning: "Salutations to Lord Nārāyaa;

salutations to Lord Mādhava."

 

As the evening procession moved gracefully through the streets, Vidwans Manikandan &  Devarajulu rendered "Nārāyaāya Namo" in Madhyama Varali, a composition of Sri Narayana Tirtha set to Khanda Chāpu tāla. While my camera captured the artiste's concentration, a short video taken at  Peyazhvaar kovil street  later helped me discover the musical identity of the performance through a lengthy conversation.  My initial attempt to identify the rāga from a brief recording led to an interesting exchange with  ChatGPT, music critic Essel (Lakshmi Narasimhan) and, finally,   the performing vidwan himself, reminding me that learning is often a delightful journey. 

Narayana Tirtha,  was a Hindu saint and Carnatic composer, best known for the Sanskrit musical work Sri Krishna Leela Tarangini that presents Krishna’s life in a sequence of songs, verses, prose passages, and narrative pieces. He is remembered for devotional compositions centered on Krishna and for popularizing the tarangam form in musical-dramatic tradition.   Sri Krishna Leela Tarangini  Tarangam is a devotional-dance item in Kuchipudi in which the performer dances to Narayana Tirtha’s compositions, often on a brass plate, making it one of the form’s most recognizable signature pieces.  In practice, tarangam combines singing, rhythmic footwork, abhinaya, and balance-based movement, so it functions as both a musical composition and a dance number.  

Today the Nadaswaram performace was enthralling and kept me  spell bound – thanks and special appreciations to Sri MKSN Manikandan  &  Chittoor Devarajulu- acknowledgement, regards and thanks to Devaraj, my friend Essel and of course ChatGPT - a rich learning experience !!  

Interesting !
 
Regards – S Sampathkumar
3.7.2026

Thiruvallikkeni thiruther chakkaram 2026

 


பாரதத்து போரில் எம்பெருமான் பாகனாக அமர அதிர்ஷ்டம் செய்த 

திருத்தேரும் – சக்கரமும்

 


தேர் சக்கரம் பாரம்பரியமாக தேர் சக்கரங்கள் இலுப்பை மரத்தால் செய்யப்படுவது வழக்கம்.   இலுப்பை அல்லது இருப்பை அல்லது குலிகம் (Bassia longifolia) இந்திய மரம்.  

திருவல்லிக்கேணி திருத்தேர் சுமார் 40 ஆண்டுகள் முன்பு பழுதாகி புதிக்கப்பட்டபோது இரும்பாலான சக்கரங்கள் பொருத்தப்பட்டன.


Sri Azhagiya Singar kuthirai vahana aesal 2026

 

Sri Thelliya Singar kuthirai vahana aesal 2026

:  https://youtu.be/XahbwHvSciY


Tuesday, June 30, 2026

Sri Azhagiya Singar Yanai vahana Aesal 2026

Thiruvallikkeni Aani Brahmothsavam 2026

Sri Azhagiya Singar Yanai vahana aesal

: https://youtu.be/NdODlMRtNBc



Yoga Narasimha !! - “Narasimha-vapuḥ Śrīman Keshava Puruṣottama”

 

யோக நரசிம்மரே, எனக்கு பயமற்ற நிலையும் மன அமைதியும் அருளும்.

“Narasimha-vapu Śrīman Keshava Puruottama”

 


“Oh Lord Narasimha, O resplendent Keshava, O Supreme Lord.”  The Narasimha-vapu invocation is  more than name the deity; it highlights Narasimha as Sriman Narayanan’s fierce, protective form and frames the prayer as a plea for refuge, courage, and victory over obstacles.  The phrase is powerful as it combines a specific avatara name with a theological title: “vapu” points to the divine form, while “Śrīman Keshava Puruottama” anchors Narasimha within the full identity of Vishnu as the auspicious supreme person. This makes the line both a praise of the avatara and an affirmation of Vishnu’s total supremacy.  

           Yoga Narasimha signifies the same divine Narasimha power, but in a calm, meditative form: strength held in stillness, protection joined with inner discipline, and ferocity transformed into composure. This yogic posture  is associated with serenity, meditation, and the power to overcome inner obstacles as well as outer threats  

On day 5 of Aani Brahmothsavam [29.6.2026], Sri Thelliya Singar gave darshan as Yoga Narasimha and blessed devotees.

Sunday, June 28, 2026

Sri Azhagiya Singan - Chandra Prabhai pathi ula 2026

 

மயர்வற நம் மனத்தே மன்னினான் - திருவல்லிக்கேணி ஸ்ரீ தெள்ளிய சிங்கன்



மயிற்பீலி, அணிகலன்கள், மலர் மாலைகள், குருவி வேர் என பற்பல அணிந்து

அற்புத சேவை சாதிக்கும் அவசரம் - 4ம் நாள் சந்திர பிரபை பத்தி உலா

அற்புத அல்லிக்கேணி  அழகன் -  ஆனி ப்ரஹ்மோத்சவம் 2026

Sri Azhagiya Singar Chandra Prabhai and Moon !!!

 

Alignment of Celestial and Symbolism of Moons.

Sri Thelliya Signar Chandra Prabhai purappadu

 

The waxing gibbous Moon present, perhaps watching from the sky – the  Chandra Prabhai Vahana purappadu, as Sri Azhagiya Sinar  blesses devotees beneath the night sky. 

A celestial moon above, and the symbolic Chandra Prabhai below—both celebrating the Lord's divine radiance.

 


Please note – this is a composite (collage) image. [ChatGPT edited] Chandra Prabhai was filmed as it aligned with Western gopuram; the  Moon was photographed separately, from the same location and on the same night, and has been artistically composited into the scene, placed exactly where it was seen when photographing the  purappadu. 

As usual look forward to your feedback / comments.

 
Adiyen Srinivasa dhasan
Mamandur Veeravalli Srinivasan Sampathkumar
28.6.2026

Thiruvallikkeni Sripadham kainkaryabarargal 2026

 

Thiruvallikkeni Sripadham  kainkaryabarargal 2026


(not all of them – as they assembled outside Gangaikondan mandapam this morning 2806.2026)

Saturday, June 27, 2026

Sri Azhagiya Singar Hamsa vahanam ~ the celestial connect

 

"விண்ணும் மண்ணும் ஒன்றாய் களிக்கும் திருவிழா."

 

In the ongoing Aani Brahmothsavam of Sri Azhagiya Singar, today is day 3 and in the evening it was Hamsa vahanam.  Took this photo as Sri Thelliya Singar purappadu on Hamsa vahanam had just crossed the Western Gopuram at Thiruvallikkeni, with the moon right on top.

 


Under the watchful moon and amidst countless devotees, the Lord graces the streets in all His glory. Every step is a blessing; every chant, an offering. 

When the heavens lend their moon, the temple its light, and devotees their shoulders, a procession becomes a celebration of faith.  

It is waxing phase and couple of days towards Full Moon (Pournami) – the sky was dark probably with rain-bearing clouds and Moon was a bit hazy.  This is a photo taken with Pixel Pro 8 as I tried to capture Sripadhamthangis (the bearers); people around; Hamsa Vahanam with Sri Azhagiya Singar, Triplicane Gopuram, dark sky and .. .. Moon !!   

The photograph perhaps  tells three stories at once:

        The heavens – the moon watching over the festival.

        The temple – represented by the illuminated gopuram.

        The devotees – carrying the Lord through the streets.

 

For sure, most of us try to focus deep on Perumal and have a beautiful close-up picture – this captures the relationship between the divine, the temple, and the community. 

As could be deciphered, this  photograph has three distinct layers, which makes it visually interesting. 

·       Upper layer – the sky :  moon sitting high on purappadu; Clouds providing a natural spotlight and perhaps there is a Planet or Star – is that Jupiter !! below the moon.  

·       In the middle layer, there is the   illuminated gopuram emerging between the two ceremonial umbrellas.

·       Lower layer has the beautiful Golden Hamsa vahanam with Perumal – around it – Sripathamthangigal, Battacharyargal, devotees and more.   

However, the  Moon has neither the shape nor clarity .. .. the  bright "flare" or glowing patch around the moon is not entirely a camera defect. It is a combination of  thin clouds passing over the moon; moonlight scattering through the moisture in clouds, giving a soft glowing halo; high dynamic range; focus on Perumal creating lens flare and there was bright floodlight too.   

Interesting ! look forward to your feedback … thanks to ChatGPT for the editing and detailing part.

 
Regards – S Sampathkumar
27.6.2026

 

Simha kolam

 


Special at Thiruvallikkeni – Simha Vahanam for Narasimhan 

– Sri Thelliya Singar.

 


Kolam in front of vahana mandapam - A lion face insignia   symbolizes strength, leadership, courage, or royalty.