A treasure in stone from Halebidu! the countenance of Chaturbhuja Sriman Narayana
“சங்கசக்ர கதாபாணே துவாரகா நிலைய அச்சுத
கோவிந்த புண்டரீகாக்ஷ ரக்ஷமாம் சரணாகதாம்”
சங்கையும் சக்கரத்தையும் கதையையும் கைகளில் ஸ்ரீமன்
நாரணன் தரித்திருப்பது சரணாகத ரஷணத்துக்கு !’ தன்னை அடைந்தாரை என்றென்றும் காக்கும்
உலகரக்ஷகரே தாமரை போன்ற கண்களையுடையவரே சரணடைந்த என்னைக் காத்தருளும்.
Exquisitely ornate Emperuman Sriman Narayana holding Sangu & Chakram, standing tall at Halabedu
Sriman Narayana stands in
stately samabhaṅga, almost perfectly upright, conveying stability, serenity and
divine sovereignty. The tall kirīṭa-makuṭa, composed of layer upon layer of miniature ornament, rises
like a temple tower above the composed face. The deity is sumptuously adorned: multiple
necklaces and long beaded hāras; elaborate earrings, armlets, bracelets and
anklets; an ornamental girdle and richly patterned lower garment; the sacred
thread and delicate chains carved as though they were pliable jewellery rather
than stone.
Behind Him is an extraordinarily ornate makara-toraṇa. Its curling foliage and fantastic aquatic creatures rise towards the crowning kīrtimukha, forming both a protective arch and a frame of celestial splendour. The smaller figures near His feet are attendant divinities or worshippers, deliberately reduced in scale to emphasise Viṣṇu’s majesty.
The most remarkable feature is the contrast between the deity’s calm,
unperturbed countenance and the almost restless profusion of decoration
surrounding Him. The ornaments, foliage and mythical creatures seem to move and
multiply, while Sriman Narayana remains serenely still at the centre—the
eternal principle of preservation amidst the ceaseless movement of creation.
Halebidu—formerly Dorasamudra—was the
great capital of the Hoysala Empire. Its Hoysaleśvara Temple was begun around
1121 CE under King Viṣṇuvardhana and fashioned mainly from soapstone, whose relative
softness enabled sculptors to produce remarkably minute, jewellery-like detail.
Although the twin temple is dedicated to Śiva, its exterior embraces an
expansive sacred world containing Śaiva, Vaiṣṇava and Śākta imagery. In 2023, Halebidu, Belur and
Somanathapura were jointly inscribed by UNESCO as the Sacred Ensembles of the
Hoysalas.
A photo taken during my visit in Oct 2022
Regards – S Sampathkumar
25.8.2026

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