‘Bhogi’
~ the day before the Pongal day [Makara Sankranthi] is an important day.
Today, 14th Jan 2015 is Bhogi. This is the day when the
divine wedding of Sri Andal with the
Perumal she idolized and sang in Her prabandhams is performed. The Divine
Andal at Her young age was the very embodiment of the Bakthi, thought of Sriman
Narayana, wrote beautiful Hymns and wished marriage with the Greatest of the
Souls ~the Paramapurusha.
Andal
Thirukkalyanam follows the Pavai nonbu and the 9 days of Neeratta Uthsavam; the
Divine vivaham takes place on the Bhogi day. This is being celebrated in
Sri Villiputhur, Sri Rangam and other divyadesams with great fervor. At
Thiruvallikkeni, the wedding of Sri Andal with Sri Parthasarathi takes place on
Bhogi day.
இம்மைக்குமேழேழ் பிறவிக்கும் பற்றாவான் *
நம்மையுடையவன் நாராயணன்நம்பி*
செம்மை யுடைய திருக்கையால் தாள்பற்றி*
அம்மி மிதிக்கக் கனாக்கண்டேன் தோழீநான்*
In
Nachiyar Thiromozhi, Andhal elaborates her Dream Marriage with the
Parampurusha, describing the rituals associated with the marriages. She
speaks of that Great Sriman Narayana, the One who owns us all, the One complete
with all Kalyana Gunams; the One to whom we all should get attached not in this
life but in all our births; Andal dreams of Her Divine Marriage with the Lord.
~ and that comes true on Bhogi day.
Bhogi
Pandigai was celebrated originally as ‘Indran vizha’ ~ a righteous king by name
Upari Chira Vasu helped Indhran in his battles and the pleased Indhran
presented Uparicharavasu his chariot, which would travel on air without
touching ground. The story of his chariot touching the ground is associated
with the Therazhundhur Divyadesam. On the evening of Bhogi day, Sri Parthasarathi
has grand purappadu beautifully adorned as the ‘bridegroom’ ~ today it was the
most attractive yellosw silk and Sigathadai kireedam that adorned the Lord.
Blessed
are We to have the darshan of the Lord beautifully decorated as ‘Kalyana
Purushan’ ~ the bridegroom. Most eyecatching were the jewels adorning Sri
Parthasarathi. Today, He embellished a kireedam known as ‘Sigathadai’ ~
not because of the red silk that worn as a turban. It was a Crown where reams
of jasmine flower are tightly rolled and closed with pure silk cloth with the
markings of an Emperor on the forehead.
Words
cannot describe His celestial beauty; nor can the photos… still some attempt at
describing the Great Bliss that Swami offered on this beautiful day.
Adiyen
Srinivasa dhasan.
PS : In earlier days,
puranic and religious stories were being filmed. Andal Thirukkalyanam was
a Tamil film released in 1937 by Saradha Films, directed by R Prakash.
Raghupati Surya Prakasha Rao,
son of a wealthy Andhra businessman was attracted into Movies. Sent to Overseas for learning the art, he
went to London and joined Barkers Motion Photography, then Germany and
Hollywood. A faulty camera ruined his
first feature ‘Meenakshi Kalyanam’. He
set up Star of East Studio, known as Glass studio in Purasawakkam in 1921 where
he made Bhishma Pratigya. He made among
others The Catehist of Kil-Arni, Gajendra Moksham, Bhakta Nandan, Mohini Avatar, Lanka Dahana, Pavalakkodi, Rose of Rajasthan ………….. [source :
Encyclopedia of Indian Cinema]
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