" ஈசன்
ஞாலமுண்டுமிழ்ந்த எந்தை யேகமூர்த்திக்கே" ~
என ஸர்வேச்வரானாயும், ஜகத்துக்கு ஸர்வப்ரகார ரக்ஷகனாயும், அந்தத்
தன்மையினால் என்னையீடுபடுத்திக் கொண்டவனாயும் அத்விதீயமான திருமேனியையுடையவனாயுமிருக்கிற
எம்பெருமான் திருவுள்ளம் பற்றுவதே! என நமக்கு உபதேசித்த அற்புத ஆசார்யர்
ஆழ்வார் ஸ்வாமி நம்மாழ்வார்.
Of the Nava Thirupathi
divyadesams, ThirukKurugoor is hailed as“AzhwarThirunagari”- as
this is the Avatharasthalam of Swami
Nammalwar. Madura Kavigal saw the leading light from Thiru
Ayodhya, travelled all the way to Kurugoor, identified Nammazhwar in the
Puliyamaram [tamarind tree].
The Greatest among Alwars
preached to us –
“ ஒழிவில் காலமெல்லாம் உடனாய் மன்னி ,வழுவிலா அடிமை செய்ய வேண்டும்நாம்,” – that when we do kainkaryam
to Lord (to Him at Thiruvenkadam), we must do service by being with HIM
throughout our life and do as a slave would serve his master. Azhwar
also guided us that we should do kainkaryam to Him in our youth, when we have
strength itself …. கிளரொளி
இளமை கெடுவதன் முன்னம்
These and more
reverberated at ‘Sivagami Pethachi
auditorium’ at MCTM School Campus ~ it was a nice lecture on Swami Nammalwar’s
prabandha anubhavams and .. .. .. more
in the program titled ‘Vakulabaranam’.
A web search reveals that Vakulabharanam
is the 14th melakarta rāgam ! but this was a thematic dance presentation of
Alwar pasurams choreographed by Sri Zakir Hussain.
At the start Mrs Rama
Vaidyanathan was conferred Natya Semmal and Prof. Madhusudhanan Kalaichelvan
was conferred Ilakkiya semmal by Chief
Guest R Seshasayee, Vice President of Music Academy. The
award were conferred under the aegis of Sripadham Trust run by Zakir Hussain
and people knowing his prowess in Thiruppavai & divyaprabandha upanyasam
may not be surprised in seeing ‘sri satagopam’ represented grandly on the
stage.
Zakir Hussain is a young
Bharata Natyam dancer, well known research scholar, and choreographer. His unique style blends divyaprabandha
pasurams and works of Azhwars. Today’s
programme was about the greatness of Swami Nammalwar – and the divyadesams
associated with him.
It started with an
astounding performance by Zakir himself on Thirumalirumsolai pasurams; then one
on Thirukurungudi and on Thirumala Tirupathi.
There was to be one more on Thiruvananthapuram which could not occur as
the programme got curtailed to an unfortunate development [sudden illness to
the singer on stage]
The audience were spell
bound for 1 ½ hours ~ I felt so happy in
attending this and appreciating the well researched theme, the pasurams so well
adapted for the dance. Kudos to Mr Zakir
Hussain and Madhusudanan Kalaiselvam and to all those involved in this.
An evening well spent
thought it meant staying away from the purappadu of Sri Adhi Kesavar who had
come to Thiruvallikkeni for vanabojanam
With regards – S.
Sampathkumar
21st July 2019.
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